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Miniature painting for a YouTube channel

Two years of every piece of video for one of the world's biggest miniature-painting channels. Six hours of brushwork has to become thirteen minutes people watch to the end.

Sector
Hobby and tabletop
What we did
Video editingVideo ShortsColor GradingVideo ScriptwritingCaptions & Subtitles
Stack
Adobe Premiere Pro
Year
2026

Slapchop: the full YouTube episode

The brief

The channel's entire video output: long-form episodes for YouTube, vertical cut-downs for social, and videos for new releases such as the big new starter set. On the long-form films we're co-writer and editor; on everything else, author of the whole thing.

What was at stake

A channel with more than a quarter of a million subscribers lives on episodes being watched to the end. The audience are painters themselves: they can tell when a shade is off, when a step gets skipped, and when a video is padding. A badly cut episode costs trust as well as views.

The constraint

Painting a figure is slow, quiet and small: the exact opposite of what holds attention in a feed. Nothing happens fast, which means the shoot doesn't set the pace. The edit does. And the same footage has to serve two formats with opposite rules: long form rewards process, vertical punishes it.

How it was shot and cut

Long form is cut as the story of one model; vertical is cut as a single moment. They aren't two versions of the same thing. They're two different videos from the same table.

A long episode builds like a story

Problem, then technique, then reveal. The viewer stays to see how it turns out. A list in the description alone wouldn't have kept them there.

Vertical is built around one shot

We look for the moment that reads at thumbnail size: color, contrast, a hand in motion, and build the thirty seconds around it. Trimming the long episode doesn't work: what's left is a fast summary with no reason to watch.

Color graded for accuracy over flattery

The audience are painters with that paint in a pot at home. A grade that adds saturation shows them a shade they will not be able to mix after buying it, which is worse than a flat image.

More from this project

The helmet that took the longest

Frames from the film

Click any frame to open it full screen.

The client has two years of uninterrupted content in two formats without having to run a production. One episode has over 514 thousand views, a number anyone can open and check.

The start of the paint job: the figure in the painter's hand, the first colors on the base.
Dry-brushing the wings. The texture appears right in frame.
A fine brush on the armor. The audience are painters themselves, so the shade has to be exact.
A macro shot of the cloak: the color transitions people watch the channel for.

CreditsLong-form: co-writer and editor · Vertical: concept, camera and edit · Client channel: Zumikito Miniatures

514 000+views on one episode, measured 8/2026
256 000subscribers on the client's channel, 8/2026
2years of continuous work

Services in this project

Ready to build something solid?

Drop us a message. We reply within a few hours to set up a quick chat.

  1. 1Within hours: a human reply: first thoughts, maybe a question or two.
  2. 2Within days: a 30-minute call. You talk, we listen. Free, no obligations.
  3. 3After the call: a written fixed quote, or an honest answer that we're not the right fit, with a tip on who to ask instead.

No sales scripts. You'll be talking to the people who'll actually build it.

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